By Iymon Ganaie
With every film that the brand name ‘Aamir Khan Productions’ brings on the 72 mm screen, the audience is amused. Much same can be said about Dhobi Ghat. It is poetic with a subtle and enchanting background score. Director Kiran Rao’s debut venture is fresh with some resemblances with the parallel cinema, though it can’t be moved into the category of art films.
Dhobi ghat offers a lot. Casual sex is cool. Acting aspirations and washing clothes go hand in hand. Letters are sent in a video format. Painting is done in a crowded locality, which is